Tuesday, January 23, 2024

100 Years of Collecting - new display with Wakefield Historical Society and Wakefield Civic Society (part 2)

2023 marks both 100 years since Wakefield Museum first opened, and the start of a century of collecting objects! 

To celebrate, our team have picked 100 objects that tell the rich heritage of our district

Most of them are already on display, so we asked our friends at Wakefield Civic Society and Wakefield Historical Society to pick a selection from our storeroom.

Their members have picked an interesting mix of objects. These cover work and industry, sports and leisure, entertainment and creativity, politics and protest, and law and order.

The objects are now on display in the 100 Years of Collecting case at Wakefield One. 

The 100 years of collecting atrium case at Wakefield One, containing a variety of objects chosen by society members.

This blog features the objects chosen by Wakefield Civic Society. It includes captions written by Kevin Trickett, society President. 

The Wakefield Historical Society captions are in this previous blog.

All of the full captions are available in the 100 Years of Collecting Online Exhibition (choose 'Objects on Display' and then 'Wakefield One'). 

Plaque from Sun Lane Baths, 1938

Written by Kevin Trickett, President of Wakefield Civic Society.

A rectangular plaque, with a lion's head and water pouring out into a body of water, and a fish swimming past


This plaque was rescued from the former Sun Lane Baths. Another decorative feature was the sculptured frieze on the exterior of the building which is now incorporated into the counter of the café in the new Baths built on the site.

Both the frieze, and the plaque exhibited here, are very typical of the Art Deco period when health and fitness were strongly promoted as key to a good life with an emphasis on exercise and access to sunshine. 
Buildings often had large windows to let light in and flat roofs or sun terraces where people could sunbathe.

They show stylised, geometric representations of people and animals such as the fish and lion’s head on the plaque. The lion’s head as well as giving forth water, can also be interpreted as representing the sun.

A lead panel of the same design as the plaque, with lion's head spouting water and fish swimming past
One of the painted lead panels in situ at Sun Lane Baths before demolition in 2006.
Photo courtesy of the Wakefield Express.

Wakefield city centre isn’t exactly known for its Art Deco buildings – and two buildings from the period (1920s - 30s) that stood in Sun Lane have been demolished. 

One was the ABC cinema buidling on the corner of Sun Lane and Kirkgate demolished in 2023 – the other was the former Sun Lane Baths demolished in 2006.

The Sun Lane swimming pool was designed in 1936-7 by Percy Morris, the then City architect. The Art Deco / Modern building provided slipper baths, a café and a terrace for sun-bathing as well as the competition-size swimming pool. 

A sculptured frieze on the exterior of the building was designed by Arnold Sharp, principal of Wakefield College of Art from 1927-1956. 

The facility was owned by and under the management of Wakefield Council.

Sun Lane Baths main swimming pool, with arched art deco roof.
Sun Lane Baths in 1963. Photo courtesy of the Wakefield Express.

In 2006, the Council made the decision to close the baths over fears about the structural integrity of the roof. The Society called for a new pool to be built on the same site and that the Arnold Sharp frieze be incorporated into the new building. Today, the frieze is situated along the counter front in the café area in the new Sun Lane Baths.

Flyer for a production of 'Bouncers' by John Godber, at Wakefield Theatre, 1994

Written by Kevin Trickett, President of Wakefield Civic Society.

A poster for Bouncers, with four men in black tie and arms folded but with women's legs wearing skirts and heels

Today’s Theatre Royal was designed by Frank Matcham (1854-1920) and opened in 1894. It stands on the site of an earlier theatre dating from 1776.

The original Theatre was declared unsafe by the West Riding County Council in 1892 and had to be demolished down to the foundations.

Front of the old Wakefield Theatre, a brick building with awning and painted signs that read 'royal theatre' and 'opera house'
The original Wakefield Theatre Royal on Westgate before demolition, around 1890

Other theatres are known to have existed in Wakefield, some pre-dating the 1776 one. For example, the Mayor of Beverley is known to have visited a theatre in the yard behind the Black Bull Hotel further up Westgate in 1774 and, behind today’s NatWest Bank at 56 Westgate is known to have stood the Corn Market Theatre, possibly dating back to to around 1755 but with a stage only 12 feet across (3.65 metres).

Unlike today’s theatre, which opens almost all year round, the original Wakefield Theatre opened just for for a few weeks in late summer – when people would come to Wakefield for the horse racing season (there was a course at Outwood close to today’s Grandstand Road).

Black and white photo of the current Wakefield Theatre Royal, a grand brick building taking inspiration from the old theatre
The Frank Matcham-designed Wakefield Theatre Royal in 1990

Whistle from West Riding Asylum, mid-1900s

Written by Kevin Trickett, President of Wakefield Civic Society.

Small metal whistle engraved with 'West Riding Asylum - Wakefield'. Has a metal loop to attach it to a chain.
As a result of campaigning by the likes of Samuel Tuke (1784 - 1857), legislation was introduced which made councils responsible for providing humane care of the mentally ill.

Stanley Royd Hospital, originally known as the West Riding Pauper and Lunatic Asylum, opened in 1818. It was one of a number of regional asylums being built around the country in the early part of the 19th century and which were intended to provide both care and, importantly, treatment for the mentally ill patients.


Negative still of West Riding Asylum in the background, a large building. There is a field with sheep in in the foreground
View of the West Riding Asylum in the late 1800s


The asylum was built to a design by architects Charles Watson (1771 - 1836) and his associate James Piggott Pritchett (1789 - 1868). Watson also designed the Court House in Wood Street, St John’s Square and, with Pritchett again, the Public Rooms (later the Mechanics’ Institute) in Wood Street.

Stanley Royd closed in 1995 and the site was redeveloped as housing. Watson and Pritchett’s building was preserved but converted into apartments.

Whistles such as the one exhibited would have been carried by hospital staff to summon help when needed.

Photo of boy jumping, taken by Jack Hulme in Fryston, 1940s

Written by Kevin Trickett, President of Wakefield Civic Society.

A black and white photograph of a young child jumping over a makeshift hurdle made out of some bricks and a stick in a street

Are our streets for parking – or for play?

Not too long ago, it was uncommon for most working class people to own a motor car. Industrial towns and cities in particular how rows and rows of terraced housing, sometimes with small back yards but seldom with what we would today recognise as a garden.

As well as providing access to people’s homes, streets were, therefore, spaces where children played and people met to chat, sometimes bringing chairs out onto the street and, at times of local and national celebration, holding street parties.

With the growth of car ownership, particularly since the 1950s onwards, many families now own cars and our streets are often busy with traffic – or jammed with parked cars.

But which would you prefer? Do modern housing developments being built today get the balance between motorists and pedestrians right? Are children provided with safe places in which to play?

Pens made from the mulberry bush at Wakefield Prison, 2010s

Written by Kevin Trickett, President of Wakefield Civic Society.

A set of wooden carved fountain pens and matching carry case, lined with blue felt


The children’s rhyme 'Here We Go Round The Mulberry Bush' is often said to have originated at Wakefield Prison where prisoners excercised by walking around a mulberry bush in the prison yard.

The prison, originally known as the Wakefield House of Correction, dates back to 1595 when a prison was built just off Westgate. This building was replaced by a newer building, a little further to the north and set further back from Westgate in 1770. This version was then replaced by another building in 1884.


Inside Wakefield Prison - shows a view down on of the wings with an arched ceiling and rooflights, cell doors, railings and walkways.
Inside Wakefield Prison in the late 1800s


At the beginning of the 17th century, King James I of England (formerly King James VI of Scotland) aspired to creating a British silk industry to rival those of France and Italy and started planting mulberry trees in large numbers, encouraging landowners across the country to do so. The mulberry tree is the sole food of the silkworm.

Unfortunately, it seems that the wrong sort of mulberry trees were planted – black mulberries instead of white mulberries and the silkworms failed to thrive in sufficient numbers.

A sprig of a mulberry tree from Normanton is said to have been planted in the prison yard where it grew into a full-sized tree.

Large mulberry bush in the grounds at Wakefield Prison
The mulberry bush at Wakefield Prison, 2011

Sadly, the tree died in 2017 although the intention was to replant a mulberry tree from one of the cuttings taken from the tree.

Monday, January 22, 2024

100 Years of Collecting - new display with Wakefield Historical Society and Wakefield Civic Society (part 1)

2023 marked both 100 years since Wakefield Museum first opened, and the start of a century of collecting objects! 

To celebrate, our team picked 100 objects that tell the rich heritage of our district

Most of them are already on display, so we asked our friends at Wakefield Civic Society and Wakefield Historical Society to pick a selection from our storeroom.

Their members have picked an interesting mix of objects. These cover work and industry, sports and leisure, entertainment and creativity, politics and protest, and law and order.

The objects are now on display in the 100 Years of Collecting case at Wakefield One. 

Members of Wakefield Historical Society and Wakefield Civic Society, and curator John Whitaker, looking into the display case and discussing its contents
Members of Wakefield Historical Society and Wakefield Civic Society at the display's unveiling, with curator John Whitaker

This blog features the objects chosen by the Wakefield Historical Society, along with the captions they wrote. The Wakefield Civic Society captions are in this blog.

All of the full captions are available in the 100 Years of Collecting Online Exhibition (choose 'Objects on Display' and then 'Wakefield One'). 

Dress from the Wakefield Pageant, 1933

Written by Deborah Scriven, member of the Wakefield Historical Society
An ornate green and gold pageant dress in an Elizabethan style, with a wide boned frame and cap

Historical pageants were popular in the 1920s and 1930s. 
Not to be outdone, Wakefield staged its own in 1933. 

Mrs Mabel Crook wore this costume as one of Queen Elizabeth I’s ladies-in-waiting during the scene in which the Queen granted a charter to Wakefield for a free grammar school.

After more than four centuries, the school continues to flourish. The dress is a fascinating link between two very different periods in the city’s history.

Queen Elizabeth I and her ladies-in-waiting at the 1933 Wakefield Pageant. They are all in elaborate Elizabethan costumes, including the one in our collection.
Photograph courtesy of the Wakefield Express.

Mabel Crook (seated at the bottom left) as one of Queen Elizabeth I’s ladies-in-waiting wearing the dress. This photograph is from a series taken by the Wakefield Express showing the 1933 Wakefield Pageant.

'Snooker for Women' campaign t-shirt, 1970s-80s

Written by Olivia Rowley, council member of the Wakefield Historical Society

White women's fit t-shirt with 'Snooker for Women' and illustration of two snooker balls headed for the pocket on it

I have to choose the snooker campaign t-shirt, being involved in the campaign. It was an exciting time.

Sheila Capstick innocently joined her Dad to play snooker one afternoon at the City Working Men’s Club in Kirkgate.

The local committee, the Club and Institute Union determined that women couldn’t play snooker.

The t-shirt symbolizes the power that certain males own.

Although so many women now participate in all sorts of sports, the sexism hasn’t ended!

The struggles of so many women throughout history must not be forgotten.

Olivia at a Snooker for Women demonstration, with her baby daughter in a pram. Other people around her are wearing the iconic t-shirts and have placards

'Me with our pram containing our now 44-year-old daughter on her first demonstration, but not her last'
Photo courtesy of Olivia Rowley

Lead weight, 1300s - 1400s

Written by Richard Knowles, Vice-President of the Wakefield Historical Society


A small shield-shaped lead weight featuring a fleur de lys motif


A lead merchant weight, known as a Lys and Crown type, weighing 1lb and believed to date from the 14th / 15th century.

Their specific use remains uncertain, but they may be wool weights.

This example is illustrated in J.W. Walker’s ‘Wakefield Its History and People’ 2nd edition (1939). Walker states it was ‘dug up in a garden on the Eastmoor housing estate’.

Walker was also the founding President of the Wakefield Historical Society, established in 1924.

The suggested location of the find site and presence of a fleur-de-lys, may lead one to speculate on a Wakefield connection. This is perhaps understandable as there was, at this time (1930s) a lack of other archaeological examples. However, a number of very similar examples have now been found in North and East Yorkshire.

Drawing of a lead weight very similar to the one in our collection, shield-shaped featuring a fleur de lys design
Illustration of the weight in J.W. Walker's 'Wakefield: Its History and People' (1939 edition)

Weight and height scale from Wakefield's Hornsea Seaside School, 1930s

Written by Pete Taylor, member of the Wakefield Historical Society

Tall, thin weighing scales designed for children. There is a hook sticking out of the scales that weights can be added on to


These were used to monitor children’s health and physical development, a growing concern in the early 20th century.

From 1906 local authorities took steps to record the height, weight and chest measurements of children attending elementary school.

From 1921 they were empowered to provide children with vacation schools. 

Wakefield’s Hornsea Seaside School opened in 1938, operating as a residential elementary school for 24 weeks a year and a holiday camp during the summer break.

Mrs Paterson the matron weighing a young child on the weighing scales. She has a very stern expression as she reads the child's weight.
Weighing in: Mrs Paterson, the matron at the Wakefield Seaside School in Hornsea, weighing a new arrival.
Photo copyright of Hulton Archive / Getty Images.

Dunlop 200G Max Pro tennis racket, 1980s

Written by Jean Broadbent, member of the Wakefield Historical Society

Dunlop 200G Max Pro tennis racket, purple frame with orange handle

William Sykes, a leather worker, started a business making footballs but quickly moved into tennis rackets and other equipment.

After mergers with Slazengers (1942) and Dunlop (1959) they became well known particularly for tennis.

I loved playing and watching tennis but was never fortunate enough to own a Dunlop 200G Max Pro like this one.

It is evidence that this Wakefield company was at the forefront of scientific advances.

Horbury has an interesting history in sport, unusually in equipment rather than participants.

Steffi Graf and Virginia Wade posing with a framed 200G max pro racket, with Dunlop banners behind them

1980s Women’s tennis legend Steffi Graf presenting the millionth injection moulded 200G Max Pro racket to 1977 Wimbledon champion, Virginia Wade.
Photo taken at the factory in Horbury.

The display is at Wakefield One until end of May 2024.