Showing posts with label Charles Waterton. Show all posts
Showing posts with label Charles Waterton. Show all posts

Thursday, October 31, 2024

Lighting up Wakefield: guide to The Timekeepers by Illuminos

This year's Light Up Wakefield (part of Our Year - Wakefield District 2024) invites you to see spectacular digital installations and experience the city in a whole new light!

One of the 2024 installations is The Timekeepers by Illuminos, which will be projected onto County Hall. 

It is a projection mapping piece based on the 300-year old story of Wakefield-born genius John Harrison. Harrison set his mind to the great mystery of the age – the perfect measurement of time and space. 

The Timekeepers celebrates the great variety of heritage, culture and arts that can be discovered across the Wakefield district.

The installation flies through time and tells stories, large and small from the Wakefield district. 

We're extremely excited, as our collections play a big part in telling the story! It sees some of our tiniest objects made gigantic on the beautiful facade of County Hall.

So what objects can you expect to see in The Timekeepers? Here's a guide to some of the highlights - some you might be familiar with, and others you might not!

The Waterton Clock, 1670s

An ornate lantern clock from the seventeenth century, about 40 centimetres tall, featuring silver nature designs, a domed top, and a swinging pendulum

This is a gorgeous lantern clock which was owned by the Waterton family for generations. 

Charles Waterton (1782 - 1865) of Walton Hall thought that the clock was once owned by Sir Thomas More (1478 - 1535). Waterton believed he was a descendant of More. 

More was Lord High Chancellor to Henry VIII - until he had him executed!

However, the clock was actually made over 100 years after the death of More. Nevertheless, it is a beautiful piece and lends itself brilliantly to The Timekeepers! It's also the oldest clock in our collection.

The 'Castleford Pig', around 1910

A tiny black wooden carved pig, with a looking glass in its belly containing tiny replications of photos of Castleford

The 'Castleford Pig' is literally a window through time! 

Inside this tiny carving of a pig is a looking glass. When you hold the object up to the light, you can see six pictures of Castleford from the early 1900s. 

It's an example of a Stanhope picture viewer, and novelty versions were very collectable. They came in many shapes and sizes, and could feature lots of pictures.

The Timekeepers is about incredible, huge visuals projected onto one of Wakefield's most spectacular buildings. 

So it's absolutely delighted us that our tiny pig, which is only about the size of a £1 coin, is going to be the size of County Hall! 

Glassware made by Bagley and Co Ltd in Knottingley, 1930s

A bright yellow glass vase with four handles and four little koalas on the handles
Although originally started as a bottle factory, Bagley's also made decorative glass. It became especially known for its vibrantly coloured glass developed in the 1930s.

However, there's a hazardous reason behind some of these brilliant colours - some were created using uranium, a radioactive element!

Coloured glass production ended in the 1940s when uranium was needed for atomic bomb development in the Second World War.

After the war, Bagley's went on to create a very dark black glass, known as 'jetique'. 

The eyepopping colours of Bagley's glassware makes it perfect to be projected in The Timekeepers. 

If you'd like to see more, there's a whole Glass Room at Pontefract Museum (don't worry, these ones aren't radioactive!) 

Yorkshire Forced Rhubarb

Inside of a forced rhubarb shed, a dark room with lots of stalks of bright pink rhubarb reaching to the sky

A celebration of Wakefield's heritage wouldn't be complete without rhubarb!

Thanks to good soil mixed with lots of ashes, horse manure and textile waste, and just the right amount of rain, Wakefield specialises in 'forced rhubarb'. The city forms part of the 'Rhubarb Triangle' with Leeds and Morley.

There's a display about the history of growing rhubarb at Wakefield Museum, where you can even hear it growing. The sound might surprise you!

You can also find out more about why Wakefield roots for rhubarb in this blog post.

Phenakistiscope discs, 1880s

A circular wooden phenakistiscope disc with illustrations of a horse and rider on the outer ring, and a jumping dog on the inner ring

They might be a bit of a mouthful to pronounce, but phenakistiscope discs are actually an early type of animation.

They were invented in the early 1800s, long before film or even photography as we know it. 

Our collection of phenakistiscope discs, including this one pictured, belonged to the Farrers. The Farrers were a famous clock-making family from Pontefract. Hence the link to The Timekeepers

The Illuminos team bring these discs to life through digitally replicating their analogue animation.

Playmakers - Sykes and Slazenger

A blue quiver with a leather strap, containing wooden arrows with coloured feathers
A Slazenger quiver of arrows, 1950s

Wakefield has quite the sporting heritage! Our Playmakers collection tells the story of how, for more than a century, Horbury was a centre of sporting excellence and innovation.

The factory at Horbury was first founded by William Sykes, and then became Slazengers during the Second World War.

Horbury-made sporting equipment supplied the World Cup, Challenge Cup, and was endorsed by sports stars including Steffi Graf and Don Bradman.


Commemorative marbles from A Reight Neet Aht, 1930s to 1950s 

A large glass marble with 'Castleford, Reight neet aht, April 21 1936' painted on it

Prepare yourself for a torrent of marbles to cascade down County Hall! And no, it's not just because we've lost ours... 

A game of marbles was a big deal in Castleford! From 1936 an unlikely and flamboyant charity event called 'A Reight Neet Aht' created a buzz at the Castleford Co-Operative Hall. 

Known as 'taws', these marbles contests raised money for Leeds Infirmary over the next 20 years.

The marbles for the tournament, along with glass trophies, were made in and around Castleford. They all look mighty impressive projected large in The Timekeepers!

You can don your gladrags for a glamorous game of marbles in A Reight Neet Aht at Castleford Museum.

The Wakefield Pageant, 1933

A photograph of a long chain of girls in matching outfits, with the girls on the outer sides of the 'train' carrying wheels, and a torch at the front
A group of girls from Thornes House Secondary School and Ings Road Central School acted as a 'ballet' steam train in the 1933 Wakefield Pageant!

The Pageant of Wakefield and the West Riding took place in June 1933 in Thornes Park, Wakefield. It celebrated Wakefield's past and present, and imagined the city's future.

A whole cast of schools and societies took part, each playing different roles from Wakefield's proud history. They also helped to make the costumes and lavish backdrops.

More than 2,000 performers took part in the Pageant over 10 performances. Thousands of people turned out to enjoy the spectacle.

Objects and photographs from the 1933 Pageant are projected alongside The Hatchling in The Timekeepers. The Hatchling was an amazing event during the summer of Our Year - Wakefield District 2024, which saw a dragon hatch in Wakefield.

The Wakefield Pageant was very much the 'Our Year' of 1933!

You can see a special art display inspired by the Wakefield Pageant by artist Louise Goult in the lower atrium of Wakefield One.

Anglo-Saxon cross, around 900 to 1000 AD

The remains of a decorated Anglo-Saxon cross shaft, topped and tailed by reconstructions of what the rest of the originally brightly painted cross might have looked like

This stone cross is the first evidence of a settlement in modern Wakefield. 

The cross was probably used for preaching, and it stood in Wakefield's marketplace until 1546. It then disappeared until 1861, when Edmund Waterton (son of Charles Waterton) rescued it from the demlotion of an old butcher's shop. The cross shaft had been used as a doorstep to the butcher's!

Not only is this object important in telling us about the creation of Wakefield, it was once a vibrant and colourful creation. 

The cross is on display at Wakefield Museum - it is on loan courtesy of York Museums Trust.

Friday, June 7, 2024

Robert Waterton of Pontefract Castle

You’ve probably heard of Charles Waterton of Walton Hall. But have you heard of Pontefract Castle’s 14th century Robert Waterton?

Charles Waterton

Most people in the district will associate the name Waterton with Charles Waterton of Walton Hall.  Waterton was a naturalist, plantation manager and explorer. 

He’s best known for his conservation work, building the world’s first nature reserve at Walton Hall in the 1820s. This was the subject of our A World of Good exhibition in 2021 - 2022.

Painting of Charles Waterton, dressed in a navy blue velvet jacket, cream/gold waistcoat and white ruffled shirt with a navy cravat. He is a white man with short dark brown hair, and has a serious expression on his face. He has a taxidermied red bird resting on his finger, and the head of a taxidermied cat sat atop a book
Charles Waterton painted by Charles Willson Peale in 1824. On display at the National Portrait Gallery.

But there were many more Watertons before Charles. The Watertons can trace back their ancestry for hundreds of years in the Wakefield area. 

Introducing: Robert Waterton, one of Charles Waterton's historically important ancestors.

Robert Waterton (1360 - 1425)

Robert Waterton was appointed to the post of Master Forester of Pontefract Castle in 1391.  He also served in the household of Henry Bolingbroke. 

In 1391 Pontefract Castle was a Lancastrian castle owned by John of Gaunt, Henry Bolingbroke’s father. Upon John’s death and the confiscation of the castle by Richard II, Robert Waterton remained loyal to Bolingbroke. 

He became Constable and Steward of Pontefract Castle. Waterton was later also appointed Master of the King’s Horses in 1399 when Bolingbroke returned from his banishment. Henry Bolingbroke became King Henry IV and took back all the possessions Richard II had confiscated from him.

 

Henry the fourth as a middle aged man, with curly brown hair and beard, wearing a crown, blue robe and holding a sword
Illuminated initial letter showing Henry IV from the records of the Duchy of Lancaster (Wikimedia Commons)

The new king needed to be sure that Richard II was kept safe and securely out of the way. 

Where better to send him, then, than to Pontefract Castle and his long-term supporter Robert Waterton?

Whilst staunchly loyal to Henry, Waterton was no fool. He gave up his own lodgings at the castle to accommodate the deposed Richard. He didn’t want to lock him in a dark cell somewhere just in case Richard returned to the throne..!

A gilded, larger-than-life portrait of Richard II, sat on his throne in full royal regalia.
Richard II, probably painted between 1385 and 1390. (Wikimedia Commons)
 

Richard II died at Pontefract Castle on 14 February 1400. Waterton was called to parliament to give evidence attesting to his death. He is also mentioned in William Shakespeare's 'Richard II'.

Later Watertons of Pontefract Castle

In later years, Pontefract Castle was responsible for many other famous prisoners. These included Charles Duc of Orleans.

The Waterton family continued to enjoy royal backing under Henry IV, Henry V and Henry VI. They racked up a prestigious list of titles up until the reign of Henry VIII.

When Henry VIII broke with the Catholic Church in the 1530s, the head of the Waterton family (another Robert) stayed true to his Catholic faith.

Henry VIII was so enraged with Robert. He wrote to him stating: “Waterton, I will take thy estate, but I will save thy life. Henry Rex”. The Watertons lost much of their land and money.

Despite this, the Watertons remained Catholic right through to Charles Waterton. Charles was widely known as a keen supporter of the Catholic faith. 

Want to discover more about the history of Pontefract Castle? View our interactive painting!

Friday, October 28, 2022

Black History Month 2022 - Update to Charles Waterton & slavery blog

In the final of our blog series for this year's Black History Month, we're looking at how ongoing research has led to an update to our Charles Waterton and slavery blog from 2 years ago.

Following the discovery of the will of Thomas Waterton, Charles' father, in the John Goodchild Collection at West Yorkshire Archives, we now have more information about Waterton's involvement in the family's plantation and with the enslaved workforce in Guiana. 

The update is as follows:

Aged 22, Waterton was sent to administer the plantations and the enslaved workforce on behalf of his family. He did this job for seven years (1805 – 1812). He might have received a salary for this work, but it is likely he was sent out in order to avoid paying someone outside of the family.

Charles’ father died in 1805, shortly after his arrival in Guiana. The will of Thomas Waterton, Charles’ father, which is in the John Goodchild collection with West Yorkshire Archive Services, reveals that Charles inherited the family home in Walton but did not inherit the family estates and the ‘slaves thereon’ in Guiana. Waterton managed the plantations on behalf of younger family members until they came of age to manage them themselves.

Thomas Waterton's will from 1805. It is a large, handwritten document on parchment paper
The Will of Thomas Waterton
Image courtesy of West Yorkshire Archives


For the other blog posts in our Black History Month 2022 series, see:



Tuesday, July 12, 2022

Pledge to #DoAWorldOfGood

Issues like the climate crisis and sustainability can seem huge and out of our control. 

However, there are changes we can all make to how we live our lives - both big and small - that can help. 

Click the interactive image below to find out different things you can do in your Home, Garden, Work and Lifestyle.

Once you've found some changes you can make, click on the 'PLEDGE' button on the image or scroll down and Pledge to #DoAWorldOfGood on the Google Form 👇

Post your experiences, changes and choices on Facebook, Twitter and Instagram with #DoAWorldOfGood and we'll share our favourites!





Tuesday, November 3, 2020

Black History Month: Charles Waterton and slavery

Charles Waterton, the pioneering naturalist, explorer and conservationist of Walton Hall near Wakefield, also spent seven years as a manager of sugar plantations and enslaved people in Guiana in South America.

In 2019 Wakefield Museums & Castles began a research project to learn more about Waterton’s involvement with the practice of slavery. This final post in our 2020 Black History Month series outlines what we know so far and our plans for further research and changes to our galleries.


Content warning: this article discusses the Transatlantic Slave Trade. It contains some outdated terms and attitudes when quoting from historical sources.

Updated on 13 October 2023

Portrait of Charles Waterton, a middle-aged white man with short hair, in smart clothes. He is seated at a desk, with a taxidermy red bird perched on his finger, some books on the desk and a taxidermied cat's head on top of the books.
Charles Waterton by Charles Willson Peale in 1824. By this time Waterton had stopped working on plantations and returned to Europe, never to return to South America.


In the 1790s, Britain took over the control of Guiana from the Dutch. The land in the new colony was perfect for growing sugar and so had the potential to make lots of money for British investors. The Waterton family were among the many British people who rushed to buy land there, from wealthy merchants to poorer families. These sugar plantations exploited enslaved people to maximise profits.

The Waterton family and slavery

Waterton’s father and uncle each owned a plantation in Guiana:

              La Jalousie & Fellowship bought by Charles’ uncle, Christopher in 1797. In 1835 it had 292 enslaved persons.

              Walton Hall plantation bought by Charles’ father in 1805. It was sold in 1817 with 287 enslaved persons.

In his book, Essays on Natural History, Charles Waterton writes about how his family became involved in sugar and slavery:

"Our family found its way to the New World in the following manner: - My father's sister [Anne] was remarkably handsome. As she was one day walking in the streets of Wakefield, a gentleman, by name [Michael] Daly, from Demerara, met her accidentally, and fell desperately in love with her: they were married in due course of time, although the family was very much averse to the match. Soon after this, my father's younger brother [Christopher], who had no hopes at home on account of the penal laws, followed his sister to Demerara, and settled there."

Source: Waterton, Charles; Natural History Essays

The penal laws restricted Catholic involvement in government and business. Waterton and his family were Catholics. Despite his aristocratic home and heritage, Waterton was unable to use his title as a Lord. He also couldn’t work as a judge, officer in the army, or become an MP.

Charles Waterton’s involvement with slavery

Aged 22, Waterton was sent to administer the plantations and the enslaved workforce on behalf of his family. He did this job for seven years (1805 – 1812). He probably received a salary for this work. It is likely he was sent out in order to avoid paying someone outside of the family.

Charles’ father died in 1805, shortly after his arrival in Guiana. The will of Thomas Waterton, Charles’ father, now is in the John Goodchild collection with West Yorkshire Archive Services, reveals that Charles inherited the family home in Walton but did not inherit the family estates and the ‘slaves thereon’ in Guiana. Waterton managed the plantations on behalf of younger family members until they came of age to manage them themselves.

An illustration of the grand Walton Hall in its grounds
Walton Hall near Wakefield in 1830. Waterton’s father remodelled the house in the 1760s, long before he invested in slavery and sugar.

In 1833 Waterton was challenged over his family’s involvement with slavery. He wrote: 

"I never possessed a slave in my life, or any part of a plantation. From 1807 to 1812, at intervals, I administered the estate of an uncle, and others; during the period, the yellow fever and tertian ague kept giving me frequent hints that there was not much pleasure to be expected from being ‘surrounded by slaves and attendants’"

Waterton, Charles; Mag of Nat Hist.  July 7 1833. P.394

 Waterton finished working as a planation manager in 1812 and began his first ‘wandering’ in South America:

"In the month of April, 1812, my father (Thomas) and uncle (Christopher) being dead, I delivered over the estates to those concerned in them, and never more put foot upon them. In my subsequent visits to Guiana, having no other object in view than that of natural history, I merely stayed a day or two in the town of Stabroek (now called George Town), to procure what necessaries I wanted; and then I hastened up into the forest of the interior, as the Wanderings will show."


A painting of Waterton riding a caiman, surrounded by exotic animals, with Daddy Quashi and members of an Amerinidian tribe pulling on the baited rope
Waterton riding a caiman out of the Essequibo River in Demerara by Captain Edwin Jones, 1820s. Daddy Quashi, a formerly enslaved man, can be seen pulling on the baited rope with members of an Amerindian tribe.

Waterton on slavery

Waterton never campaigned to end slavery but he did speak out against it. In his book, Wanderings in South America, he writes against the practice but defends the treatment of enslaved people by plantation managers:

"slavery can never be defended; he whose heart is not of iron can never wish to be able to defend it: while he heaves a sigh for the poor negro in captivity, he wishes from his soul that the traffic had been stifled in its birth; but unfortunately, the governments of Europe nourished it, and now that they are exerting themselves to do away with the evil, and ensure liberty to the sons of Africa, the situation of the plantation slaves is depicted as truly deplorable, and their condition wretched. It is not so. A Briton’s heart, proverbially kind and generous, is not changed by climate, or its streams of compassion dried up by the scorching heat of a Demerara sun; he cheers his Negroes in labour, comforts them in sickness. Is kind to them in old age, never forgets that they are fellow creatures."

Source: Waterton, Charles; Wanderings in South America

In 1807 the transportation of enslaved people from Africa was abolished in the British Empire after a nationwide campaign. However, it did not end the practice of slavery in the colonies and the anti-slavery campaign focused on the treatment of slaves within the plantations. Waterton did not like this argument and wrote of kind treatment towards enslaved people. However, we do not know what conditions were actually like on the plantations he managed.

We do know that he taught taxidermy to John Edmonstone, who was enslaved to Charles Edmonstone, Waterton’s friend and future father in law, and that some formerly enslaved people accompanied Waterton on his famous expeditions in the rainforest.

When Britain finally abolished slavery in 1833, those that owned enslaved people received compensation from the government. The loan needed to pay the compensation was so big it was only paid off in 2015. As Waterton himself had not owned a plantation or any shares in enslaved people, he did not receive compensation, but some family members on his uncle’s side did.

Slavery and Wakefield Museum

Since 2020, Wakefield Museums & Castles have completed research into the Waterton family’s involvement in slavery. We have updated this article to reflect this and new interpretation has been installed at Wakefield Museum telling this important part of the Waterton story. This can also be accessed on our Charles Waterton and Slavery page. We are grateful to Wakefield Council’s Global Majority Race Equality Network (formerly the BAME Staff Forum) and the Black Family Forum for their contribution to the information.

We continue to explore the Wakefield district’s links to slavery and are committed to telling this story in our sites and programmes, including as we work towards a new Wakefield Library & Museum.

Related posts

John Edmonstone

Eliza, Anne and Helen Edmonstone

Sugar nippers not shackles: slavery in local history collections