Showing posts with label lgbtq. Show all posts
Showing posts with label lgbtq. Show all posts

Friday, December 13, 2024

Five gold rings...

On the fifth day of Christmas, our true loves (our donors and the Treasure Act) saved for us... five* goooold rings!

* Well, there's been a few more then five over the years. But here's a shiny round-up of five rings that don't always get to see the spotlight. 

You'll probably have met the Sandal Castle ring  and the Ackworth Hoard posy ring before. 

So, let's have a look at five different rings, dating from the Romans to a 21st century drag icon!

Roman ring

A ridged gold finger ring with a circular stone set in it. The hoop has got slightly warped over time.

This gold ring was found in excavations in Castleford during the 1970s and 1980s. 

It is Roman, and dates to the 1st to 2nd century AD. 

The Roman fort and settlement at Castleford was probably known as Lagentium. The first fort was built around 71 AD. 

We owe lots of what we have learned about the first fort at Lagentium to a rubbish dump! Near to Church Street, a pile of Roman waste had been preserved due to waterlogging.

The fort and settlement in Castleford was important to the Romans. Around 86 AD they levelled the first fort and built a new one with stronger defences. There was also a civilian town, or vicus, which developed nearby.  

Unlike other Roman settlements, Castleford continued to develop after the Roman garrison left. It became an important manufacturing and trading centre in the early 2nd century.
Archaeological digs of the vicus found lots of luxury items, like this ring.


Rosary ring

A gold ring with an inset garnet and nine further lobes with a letter inscribed on them.

This unusual looking gold ring dates from the 15th to 16th century AD. It features an inset garnet and nine further lobes (circles). Each of the lobes has a letter on them.

The ten lobes probably relate to the ten prayers of the Catholic rosary. The wearer could keep track of each prayer by looking at or touching each lobe in turn.

The ring was found by a metal detectorist in Pontefract. We acquired it under the Treasure Act. 

The Treasure Act 1996 sets out a clear process to save treasures for local people. Local museums are notified of all potential treasure finds in their collecting area.
A museum can save the find for the local community by paying the finder or landowner based on its market value.


Puzzling posy ring

A small gold posy ring, a circular golden band with the words 'no content to your consent' inscribed inside

This is a small gold posy ring, dating to between 1600 and 1800 AD. On the outside are geometric patterns and heart and floral shapes. On the inside is the phrase 'no content to your consent'.

Posy rings were popular love tokens. They were often exchanged as engagement or wedding gifts. They could be plain on the outside or be decorated with enamel. The white / grey patches remaining on this ring aren't dirt - they are the remains of an ornate enamel decoration!

Many posy rings would also have a special secret message for the wearer inscribed inside. However, our ring's message is a little bit puzzling! 

Other posy rings included phrases like 'After consent ever content', relating to the gift giver's happiness at the recipient accepting the ring. 

However, our example here says 'No content to your consent'. This sounds more like a rejection to our ears! Or did it mean the giver was 'not content until your consent'? We may never know...


Pretty 'pie crust' post-medieval ring

A thin gold ring with an inset gem, possibly a pearl, in a circular pie crust like bezel

This pretty post-medieval ring is dated in two parts. The golden ring band dates to between 1700 and 1800 AD. The gem, however, may be older, and could date back to 1500 AD. The off-white gem is probably a pearl. 

This is another post-medieval ring featuring natural and leaf-like patterns. The cushioning around the ring has been described as having 'pie-crust-like' moulding. This particular pearly pie would cost you a pretty penny!

This ring was another metal detectorist find. It was discovered in Darrington. Who knows what other treasures might await under Shakey Wakey's soil?

A one-horse open slaaaay

A metal ring made to look golden, with a large clear plastic gem
While this well-loved and well-worn ring might also look hundreds of years old, it's actually from the early 21st century.

It's also perhaps not real gold, and maybe features plastic gems - but because it belonged to Madam Connie, it's priceless to us!

Steven Ogilvie, also known as Madam Connie, is a popular local former drag artist from Wakefield. 

Steven kindly donated several stunning outfits to us in 2019 after Madam Connie hung her up stilettos for the last time. This ring has clearly seen many performances!

Steven also spilled the 'T' about his experiences performing as Connie in an oral history interview. He says performing increased his confidence and helped him through difficult times. Now that's a serious slay.



Have our festive fancies got you into the Christmas spirit? Get stuck in with our sled-load of Christmas crafts and recipes!

Tuesday, November 14, 2023

New exhibitions at Pontefract Museum

Two new exhibitions have just opened at Pontefract Museum!

Ladies who Launch: Celebrating Pontefract's Women in Business

13 November 2023 - 19 October 2024
Free - no booking required

Rachel, one of the Yonder Events organisers, holding up a sign that says 'These are the times of our lives' on stage
Yonder Events bringing the vibes at their famous Yonder at the Castle event

Explore the fascinating history of female entrepreneurs in Pontefract in Ladies who Launch, a new interactive and immersive exhibition.

Get hands on and try some of the trades from past and present.

Step back in time to sample the sights and scents of Victorian Pontefract. Discover the local women leading businesses in sometimes surprising industries.

Celebrate the success stories of today’s inspirational businesswomen - from indulgent skincare and beautiful bouquets to therapeutic yoga and exhilarating events.

Tell us about the amazing women in your lives with our comment wall!

The exhibition features local entrepreneurs Michelle and Karen (Michelle's Flowers Ltd), Rachel and Hayley (Yonder Events), Emma (Santosha Yoga Studio) and Hollie and Lorna (Wild and Wood Skincare).

A fantastic team of Volunteer Researchers conducted research into four local Victorian businesswomen. Many thanks to Alice, Jennifer, Julia and Samuel for helping us to share these stories.


Boxed In (From Whence You Came) by Fern Woodhead 

13 November 2023 - 19 October 2024
Free - no booking required

A black and white oil pastel self-portrait of Fern, trying to squeeze themself back into a box. The box reads 'Defective - return to creator'
'Boxed In (From Whence You Came)' by Fern Woodhead, now on display at Pontefract Museum

Boxed In (From Whence You Came) is a brand-new artwork by Pontefract’s own Fern Woodhead (they / them).

The artwork explores Fern’s feelings about “being a queer person in an inherently non-queer society.” The striking oil pastel self-portrait is a response to Fern’s identity as a non-binary person and lesbian.

The display also features supporting commentary written by Fern along with personal items they have kindly lent for the exhibition. These include the Grayson’s Art Club exhibition catalogue in which they feature, and a hand-made crocheted lesbian pride flag.

Fern hopes that the exhibition will raise awareness and start conversations around sexuality and gender identity. Wakefield Museums & Castles are very proud to acquire and display such an important and inspiring artwork and to showcase exciting local talent like Fern. The acquisition contributes to ongoing work to diversify the collection so that it represents a wide range of people’s lived experiences.

Fern says "With this exhibition, I hope that we can bring more awareness and start more conversations about identity – all of us have an identity, so why shouldn’t we talk about it?"

Fern's full commentary on 'Boxed In (From Whence You Came)' and more information

Visitor and access information for Pontefract Museum

Thursday, August 10, 2023

"Well, who would have thought it?" - Organising the first Wakefield Pride

It's Wakefield Pride on Sunday 13 August!

Did you know that the first ever Wakefield Pride was in 2005?

Michael was one of the organisers. He kindly did an oral history interview with us in 2017 for our Rainbow Trails project. 

In this clip, Michael tells us about organising the first ever Wakefield Pride. He remembers how the team turned it around from an impending disaster into a 'resounding success'!


Click here for a full accessible transcript of the recording

We've also got a range of posters and wristbands from previous Wakefield Prides in the collection. 

These items were kindly donated by (a different) Michael, one of our brilliant Visitor Experience Assistants:

Very colourful poster for Wakefield Pride 2010 featuring photos and names of key acts and performers. As well as Blanche and MarkyMark, there was Angie Brown vs the Sleazesisters, S Club 3, Big Soul and Miss Sordid
Poster from the 2010 Wakefield Pride on Sunday 8 August.
Blanche and MarkyMark were key features once again 5 years on!

Poster for the Wakefield Pride 2010 after party, with a photo of a packed Pride crowd and Miss Sordid and Markymark at the bottom
Poster for the 2010 Pride After Party at the New Union - hosted by MarkyMark and Miss Sordid

Multicoloured rainbow wristband with 'Wakefield Pride 2010' on in black letters
Michael's wristband from Wakefield Pride 2010

We also have items kindly donated by Steve Ogilvie, also known as Madam Connie, one of our finest local drag queens! 

They include this Wakefield Pride 10th Anniversary wristband:
 
Rainbow wristband with 'Wakefield Pride 10th Anniversary' on in white letters

Steve also kindly donated one of Connie's sickening sequinned dresses, and a stunning red wig, which is currently on display in Moving Stories at Wakefield Museum

Madam Connie's wig also proudly features in our 100 Years of Collecting Online Exhibition.

Click here for more about Madam Connie's story, and her costume designer Sue Riley

We wish everyone a happy Pride, and hope we get better weather than the first one had in 2005!

What is Oral History? Find out here in an article written by University of York placement student Lydia

Thursday, June 8, 2023

Albert Wainwright: Pride Month 2023

This Pride Month, we are proud to share a fantastic new addition to our collection!

We have recently acquired a small number of sketchbook pages by Albert Wainwright (1898-1943), an influential artist from Castleford.

A friend and contemporary of Henry Moore, Wainwright produced a large and varied body of work. This included ceramics, theatrical design and book illustrations, as well as watercolours and drawings. 

Although he didn’t reach Moore’s commercial success or recognition during his sadly short lifetime, Wainwright’s reputation has deservedly increased in recent years. 

His work is also significant in its depiction of gay love at a time when homosexuality was still illegal in Britain.

A sketch depicting two seated schoolboys by the riverbank, with further studies of male figures reclining on one another. The seated schoolboys are in colour, wearing navy blue blazers and shorts, and pale green caps and socks.
Sketch by Albert Wainwright, recently acquired by Wakefield Museums & Castles. Features drawings of schoolboys, including a pair where one is tenderly reclining on the other.

Wainwright was born and brought up in Castleford. He attended Castleford Grammar School and was taught by the inspirational artist Alice Gostick

Gostick encouraged Wainwright’s artistic potential and her support helped him to secure a place at the Leeds School of Art in 1914. 

Gostick’s influence on Wainwright’s art continued. He became a regular at her renowned pottery painting classes, hand-painting ceramics in a traditional style known as Castleford ‘Peasant Pottery’. 

In 1927, Wainwright returned to Castleford Grammar School as an art teacher, temporarily taking Gostick’s place after she became ill. 

A tall, thin cylindrical vase, made and hand-painted by Albert Wainwright. The painting style is abstract, with purples, reds, yellows, greens and black swirls painted onto the white base.
Hand-painted vase by Wainwright in the style of Alice Gostick

Base of the same vase, with Wainwright's monogram, a capital A in a circle
Base of the same vase above, marked with Wainwright's monogram.

Gostick also encouraged her pupils to design costume, stage sets and programmes for school productions. 

The experience was invaluable for Wainwright, who went on to work as a theatrical designer. He received over a hundred costume and scenery commissions. 

His intricate watercolour designs spanned a wide range of productions.

Portrait poster for exhibition of Wainwright's work. Reads 'Albert Wainwright, 1898 - 1943. Artist, illustrator, theatre and costume designer of Castleford.' Includes a large illustration by Wainwright of a costume design for  an Ancient Greek female character in art-deco style
Poster for an exhibition of Wainwright's work at Wakefield Art Gallery in the 1980s. It features an example of his costume design.

As well as his commercial work, Wainwright was a prolific draughtsman. 

He filled many sketchbooks with illustrations and watercolours of local landmarks and characters, capturing a snapshot of industrial Castleford in the 1920s and 1930s. 

Sketch by Wainwright of the cemetery at Red Hill. To the right of the main sketch are the words 'Red Hill', 4 tall narrow buildings with billowing chimneys, and 'October 25th' in a stylised circle
Page from the 'Castleford Notebook', 1928 by Albert Wainwright. Sketch of the cemetery on Red Hill.
With thanks to The Hepworth Wakefield.

Sketch by Wainwright of large, busy factories and mining activity at Castleford. The chimneys are billowing black and white fumes. The miners in the foreground are small, almost stick figures
Page from the 'Castleford Notebook', 1928 by Albert Wainwright. Sketch of factories and mines in Castleford.
With thanks to The Hepworth Wakefield.

His personal sketchbooks also include many studies of people, including androgynous figures, young men and depictions of male intimacy. 

Wainwright was gay but homosexuality remained illegal in Britain during his lifetime. It was not decriminalised until 1967, 24 years after his premature death. 

Although Wainwright’s sketchbooks were not originally intended for public view, they are a rare record of gay love in the early 20th century.

We are very pleased to have acquired some examples of these sketchbook pages at auction earlier this year. They are a valuable addition to our collection. In addition to examples of Wainwright’s ceramics, theatre work and industrial sketches already in our collection, these sketches of male intimacy will help us to tell a fuller story of his life and career. 

They reveal a sometimes hidden LGTBQ+ history. 

Sketch of two schoolboys, one reclining on the other, and a third schoolboy looking at his reflection in the water.
Sketch by Albert Wainwright, recently acquired by Wakefield Museums & Castles. Features drawings of schoolboys, including a pair where one is reclining on the other.

Albert Wainwright sadly died from meningitis aged just 45 in 1943. 

He was living in and teaching in Bridlington at the time and had achieved a name for himself within his native Yorkshire. 

Today, his artistic achievement is increasingly recognised and we are proud to celebrate his work in our displays at Castleford Library & Museum.

Click here for more LGBTQ+ stories in our collections

Click here to read more about Alice Gostick

Click here for visitor information at Castleford Museum (opens in new page)

Tuesday, February 21, 2023

LGBT+ History Month 2023: Behind the Lens

Lydia, a Modern History MA student on placement with us from the University of York, has been exploring the treasure trove of our oral histories collection to support the ongoing evolution of our new Moving Stories exhibition.

Here’s what she’s uncovered in our Rainbow Trails oral history archive, a compilation of Wakefield’s LGBT+ stories!

The ‘Wakefield Storytellers’ section of the Moving Stories exhibition is dedicated to showcasing stories from local people. Some of these were already in our oral history collections, and others are new ones we are collecting all the time.

Given this year’s LGBT+ History Month focus on ‘Behind the Lens’, I have been exploring stories from Wakefield’s local LGBT+ stars and allies, both on and off the stage.

Let me introduce local legends Sue Riley and Madam Connie!

Sue grew up making her own clothes. She recalls that most people did when she was younger, and she always helped others with their clothes when asked. After moving to Wakefield in the 1990s, Sue met local drag queen Madame Connie at the Fernandes Brewery pub. Soon after learning about Sue’s talents, Madame Connie gave Sue her first ever drag outfit commission. This was a partnership to continue for many years, as Sue explains in the clip below:

Sue made an array of dresses from all sorts of unsuspecting materials and took to the challenges given to her by Wakefield’s drag performers. One of her favourite dresses that she made for Madame Connie was this black velvet dress with hologram sequins and golden wings.

Madam Connie showing off her black velvet and golden hologrammed sequin dress, holding up the golden cape. She is wearing a black bobbed wig and has gold eyeshadow, and looks fabulous!
Madam Connie slaying the house boots down in her Norma Desmond outfit!
Photo copyright of Sue Riley, early 2000s

In the audio clip below, Sue describes stepping up to the challenge of creating this iconic dress!

Another challenge was presented to Sue when she was asked to fashion a dress out of white and brown cow print material. She designed a rock and roll dress with lots of frilly petticoats at the request of the drag queen. When she realised she had leftover fabric, Sue designed something extra for the performer... Listen to the clip below to find out what this was:

Clearly, this line of work was destined for Sue as her flourish for creativity matched the vibrant looks the drag queens wanted to create.

Sue’s work was incredibly important to Wakefield and the local LGBT+ community. Performing on stage allows people to create other personas and step out of their comfort zone; the creation of these dresses helped solidify these characters on stage and gave the performers the confidence they needed.

Drag came to the stage many years ago in theatre performances and has continued to develop in recent years and is now even present on television shows. Drag was never about impersonating a woman or a man; it was about an exaggerated performance to create a new identity. While drag was less accepted in the past, some still broke through the barrier and began to make changes. One of these iconic performers was Sue Riley’s favourite drag queen, whom she had seen perform live, Danny La Rue.

Drag impacts our lives more than you can imagine; even some of today’s slang comes from the drag industry. 

But instead of continuing, here's a bonus clip from Steven spilling the 'T' on what Madam Connie means to him:

We are proud to tell Sue Riley's story and spread the word about her work #BehindTheLens.

Please look out for our future engagement with Wakefield’s LGBT+ stories, and if you have any memories to share or pictures of Sue Riley’s dresses, or Madam Connie's performances, please tweet us or email us at museums@wakefield.gov.uk.

We also have one of Madam Connie's wigs on display in the new Moving Stories exhibition at Wakefield Museum!

A bright red bobbed wig with darker red undertones, on a bejewelled and glittery mannequin head on display at Wakefield Museum
One of Madam Connie's wigs, worn at performances in the early 2000s.
Photo credit Nick Singleton

We can’t wait to hear more of Wakefield’s LGBT+ stories!