Showing posts with label social history. Show all posts
Showing posts with label social history. Show all posts

Thursday, May 29, 2025

Wayne: My Work Placement with Wakefield Museums and Castles

This blog has been written by Wayne who has been volunteering with us at the museum store since 2021. He has also been doing a university course on preventative conservation. Wayne has been looking at how museum objects can be stored, displayed, and generally looked after in ways that protect them from damage.

As part of Wayne’s course, he had to do a student placement where he would put some of what he has learned into practice. He chose to do his student placement with us! Read on to find out what he's been up to.

Wayne concentrating on dusting the rim of a blue felt uniform cap with a paintbrush and small Museum vacuum
Wayne lightly dusting a uniform cap with a paintbrush and the Museum Vac at the Museum Store

My Work Placement with Wakefield Museums and Castles

I'm Wayne. I have just completed my university student placement module with Wakefield Museums and Castles at the museum store. I have also been a volunteer here for a long time now and so it was nice to take on a different role.

During my placement I worked closely with various members of the Museums and Castles Team on different projects. The guidance and generosity of the staff played a crucial role in my development. They helped me expand my knowledge further by putting into practice what I have been learning.

My first project was to look at light levels. I was checking if the light in the museum and the museum cases was too bright for the objects on display. Different types of objects have different reactions to brightness levels. Some of these reactions can cause permanent damage or colour fading to the object. Light levels are checked with a light meter. This measures the brightness of light in lux, or by the amount of light that falls on a surface, which is measured in lumens per square metre.  

Ceiling-height shelves stretching into the distance filled with shallow carboard boxes
Rows of boxes of carefully stored objects in the Museum Store

I started the project by locating light-sensitive objects (objects most likely to fade or become damaged) that are on display in the museums, using the collections database. I then checked how long they had been on display for. Damage caused by light can also be affected by how long an object has been exposed to light.

To prevent light damage from happening, it is important to regularly test, monitor, and set light brightness. We also calculate how long the object can be displayed for before it becomes at risk of light damage. When an object reaches its display time limit, it should be moved to dark storage where it can “get some rest”. 

The next stage of my work was to identify which of the museum objects on display have reached their display limit so that they can be swapped and moved to dark storage.

Food collections

Now this may sound strange to many people that already know food and museum collections don’t go together normally! Food can rot or attract pests like mice and insects. These may then damage other objects as well.

However, there are some food objects in the museum collection. They can tell us a great deal about the past. One such object is a hot cross bun from the Crimean War. This bun is nearly 200 years old. It is said to have survived inside a pocket of a soldier because he forgot it was there “like you do”.

A very old, crusty, shrunken and hard hot cross bun
The hot cross bun that survived the Crimean War!

This brings me to my next project, which I also decided to base the written part of my student placement on. Before I could start the project, I had to locate all the food objects in the museum collection. This was not easy! A lot of the object records on the collections database describe the wrapping, or box, but not always whether the food itself was still in the packaging.

Once I identified the food, I looked at its condition and whether it was in sealed packaging and whether it had dried out or started to rot or fall apart. I then looked at how these food-based objects could be stored and displayed in a way that would prevent or stop any deterioration.

After I started to research this, I soon realised that there was a gap in information in this area. The information I did find included protecting the food from the threat of pests by keeping them in sealed containers. These will keep out even the smallest insect.


A large plastic tub with individually packaged food items including an old carton of tea, with humidity indicator and silica gel packets
A freshly repacked box with food collection objects - not to be mistaken for your lunch...

The food was also placed inside separate plastic bags. This meant that more than one object can be packed in a box, but each object is still sealed and separate. I also placed a humidity strip and silica gel into the boxes. The humidity strip monitors how much moisture is in the box and the silica gel absorbs it.

Once everything was repacked into plastic boxes, I put all of the food objects into the same storage area. This will make it easier to check them, as this will need to done regularly.   

Working with the museum team, we did make the decision to remove some of the food from its packaging and dispose of it. Some of these objects included food that were in open packets, like some crisps from 1981 that really did smell bad!

A brown crisp packet with 'Royal Wedding 1981 - Smiths Crisps - Bovril Flavour' printed on it
Out-of-date commemorative Bovril Flavour crisps, anyone?

There were also some bonbons that had turned brown in colour. We did keep the packaging for the museum collection, however.

A jar containing a dark brown substance with a label that reads 'plums bottled on the first day of the Great War, 1914 - 1918'
A jar of plums 'bottled on the first day of the Great War, 1914-18'

I would like to thank all the staff at the museum store and many others that made my work placement an enjoyable experience.

Thursday, January 9, 2025

Oral history transcription: volunteer blog

Charlotte McDonnell is an oral history transcription volunteer with Wakefield Museums and Castles. She has been volunteering with us for one year and has transcribed 26 oral history interviews so far. 

In this guest blog she shares her experiences, including clips from some of her favourite interviews.

A person typing on a laptop while wearing headphones

My role as an oral history transcription volunteer

As Wakefield Museums and Castles work on the development of a new museum and library for Wakefield, they are collecting a diverse range of oral history interviews. These interviews help to document and preserve Wakefield’s local history through the voices of the people who lived it.

My role in this project is to transcribe the oral history interviews. Transcriptions help museum staff to catalogue, search for and use oral history interviews. They also ensure that any audio that is shared through displays or digital content is accessible.

Listening carefully, I transcribe the audio of each interview exactly as it’s been spoken including keeping any grammatical mistakes and local dialect used. Usually, I’m able to get around four minutes transcribed per day.

After I finish the initial transcription I go over the whole interview again to correct any mistakes. It’s important to do this as there can be times where you think you got it right only to re-listen and realise you made an error!

From this role I’ve been able to learn so much about the people, projects and local organisations in Wakefield. 

Here are a few of my favourites:

A very important cooker

Helen Teagle talks about her mother’s 1953 Cannon Gas Cooker in her interview, which was carried out after she donated the cooker to the museum collections. 

To me the most interesting part of this interview is how much life story can come from one object. For example, Helen talks about how her parents bought the cooker at a showroom in Wakefield shortly after they got married and how they moved it to each new house that they bought.

The stories Helen tells about the many recipes her mother made using the cooker also give great insight into domestic life in the 1950s and onwards, which is an often underexplored area of history. 

In this clip, Helen talks about learning how to cook from watching her mother.


BaBi steps

I really enjoyed transcribing the interviews recorded as part of the BaBi Wakefield project. BaBi Wakefield is a research project that aims to reduce health inequalities in babies born in Wakefield through collecting maternity and child data. 

The project is run by Dawn Wright and through her interview we can see the incredible amount of work that goes into running BaBi Wakefield. 

Dawn smiling at the camera, sat next to a sign for BaBi Wakefield and the orange and white striped BaBi bear
Dawn Wright

Here Dawn speaks about her role in the project and why it is important:


One part of Dawn’s interview that really caught my eye was when she spoke about one of the positive changes a sister project, Born in Bradford, made to child asthma rates by changing the old bus routes. 

It really highlighted to me the important impact these projects are able to create.


Getting wordy about Wakefield

Finally, the interviews of Philip Dawson Hammond, and Micheal Yates and Roger Manns from the Black Horse Poets provide a fascinating look into Wakefield’s literary organisations.

6 members of the Wakefield Word Group, and Councillor Jack Hemmingway in the middle, smiling at the camera. Councillor Hemmingway is holding a trophy of a horse.
Members of the Black Horse Poets and Wakefield Word Group with their new patron, Councillor Jack Hemingway, in January 2024.

Philip in his interview spoke about the many stories he has from his time working for the Wakefield Express. 

My favourite one was about a new press that had been built to produce the newspapers that had been designed by Rockwell International - who designed a space toilet!


Micheal Yates and Roger Manns in their joint interview spoke about the strong community dynamic that their poetry group fosters. 

I really enjoyed listening to the ways people come together to share their passion for poetry and help others grow by providing thoughtful feedback.



Get involved!

If you would like to volunteer as an Oral History Transcription Volunteer, please get in touch by emailing muscasvolunteering@wakefield.gov.uk 

We'd love to hear from you!

Tuesday, November 14, 2023

New exhibitions at Pontefract Museum

Two new exhibitions have just opened at Pontefract Museum!

Ladies who Launch: Celebrating Pontefract's Women in Business

13 November 2023 - 19 October 2024
Free - no booking required

Rachel, one of the Yonder Events organisers, holding up a sign that says 'These are the times of our lives' on stage
Yonder Events bringing the vibes at their famous Yonder at the Castle event

Explore the fascinating history of female entrepreneurs in Pontefract in Ladies who Launch, a new interactive and immersive exhibition.

Get hands on and try some of the trades from past and present.

Step back in time to sample the sights and scents of Victorian Pontefract. Discover the local women leading businesses in sometimes surprising industries.

Celebrate the success stories of today’s inspirational businesswomen - from indulgent skincare and beautiful bouquets to therapeutic yoga and exhilarating events.

Tell us about the amazing women in your lives with our comment wall!

The exhibition features local entrepreneurs Michelle and Karen (Michelle's Flowers Ltd), Rachel and Hayley (Yonder Events), Emma (Santosha Yoga Studio) and Hollie and Lorna (Wild and Wood Skincare).

A fantastic team of Volunteer Researchers conducted research into four local Victorian businesswomen. Many thanks to Alice, Jennifer, Julia and Samuel for helping us to share these stories.


Boxed In (From Whence You Came) by Fern Woodhead 

13 November 2023 - 19 October 2024
Free - no booking required

A black and white oil pastel self-portrait of Fern, trying to squeeze themself back into a box. The box reads 'Defective - return to creator'
'Boxed In (From Whence You Came)' by Fern Woodhead, now on display at Pontefract Museum

Boxed In (From Whence You Came) is a brand-new artwork by Pontefract’s own Fern Woodhead (they / them).

The artwork explores Fern’s feelings about “being a queer person in an inherently non-queer society.” The striking oil pastel self-portrait is a response to Fern’s identity as a non-binary person and lesbian.

The display also features supporting commentary written by Fern along with personal items they have kindly lent for the exhibition. These include the Grayson’s Art Club exhibition catalogue in which they feature, and a hand-made crocheted lesbian pride flag.

Fern hopes that the exhibition will raise awareness and start conversations around sexuality and gender identity. Wakefield Museums & Castles are very proud to acquire and display such an important and inspiring artwork and to showcase exciting local talent like Fern. The acquisition contributes to ongoing work to diversify the collection so that it represents a wide range of people’s lived experiences.

Fern says "With this exhibition, I hope that we can bring more awareness and start more conversations about identity – all of us have an identity, so why shouldn’t we talk about it?"

Fern's full commentary on 'Boxed In (From Whence You Came)' and more information

Visitor and access information for Pontefract Museum

Tuesday, September 26, 2023

Wakefield's Sporting Heritage

When it comes to sporting heritage, Wakefield District has lots to celebrate… even more than you might think!

We've dug out some sporty showpieces from our collection, many of which also feature in our 100 Years of Collecting Online Exhibition.

We are Rugby League

The Wakefield district is often defined by Rugby League. It both unites and divides our communities.

David Storey encapsulates this in his classic 1960 gritty northern novel, This Sporting Life:

Front cover of This Sporting Life, with a rugby player tackling an opponent
Our copy of This Sporting Life, on display at Wakefield Museum

The story follows a Wakefield Trinity player as he navigates his sporting career and his love life. In 1963 a film version starring Richard Harris was released to rave reviews. 

Belle Vue stadium features as a key location in the film and many residents remember being paid to attend as extras in the stands.

Most local people are close followers of one of the big three teams: Wakefield Trinity, Castleford Tigers and Featherstone Rovers. 

We have some fantastic objects telling the stories of the clubs, covering their historic victories and record-breaking achievements.

Iconic objects include this thick woollen jersey worn by Wakefield Trinity’s Harper Oliver Hamshaw way back in the 1880s: 

A thick woollen button-up jersey, navy blue with a red horizontal stripe across the chest and the arms.
Harper Oliver Hamshaw's rugby jersey

This was a time when Trinity shaped the creation of professional rugby league by paying their star player, three-quarter back, Edward ‘Teddy’ Bartram, a salary of £52. This made him the first professional rugby league player.

Professional sport would be nothing without the supporters! 

Telling local fans' stories is just as important as that of the players. This rosette was proudly worn by a Featherstone Rovers supporter when Fev reached the Rugby League Challenge Cup Final in 1974:

A blue and white rosette with 'Featherstone R', 'Wembley' and a picture of the trophy on it
A fan's Featherstone Rovers rosette from the 1974 Rugby League Challenge Cup Final


Local players didn't only capture hearts and minds - they smashed records. 

This rugby ball was used by Arthur ‘Brus’ Atkinson to make a record goal kick of 75 yards in Castleford's victory against St. Helens, on 26 October 1929. 

The record still stands 94 years later!

An old hand-stitched rugby ball with the details of Atkinson's achievement written on it
Arthur Atkinson's record-breaking rugby ball


But - it's not just rugby league Wakefield makes waves in!


Super Sharp Shooter: Stephanie Park

Stephanie Park nee Hopley (1940-2012) was a nurse and midwife in Wakefield. After losing a leg following an accident, she took up competitive shooting. Stephanie went on to become the World Disabled Champion in target shooting in 1987 and the winner of the Cardiff Open Shoot in 1989. This was the first sports event in which disabled and non-disabled competitors took part equally. 

She was also a world champion athlete in field sports and archery.

Stephanie in action, aiming her rifle while in her wheelchair. She has short, dark curly hair and is wearing a leather jacket and jeans.
Stephanie in action

She hit all 10 shots through the central ring of this target shot at the 1989 National Small Bore Rifle Association Championship, and rightfully kept it as a souvenir! It features in our 100 Years of Collecting Online Exhibition:

A square cardboard target shot with all 10 shots through the central ring
Stephanie's keepsake target shot from the 1989 National Small Bore Rifle Association Championship 

Stephanie was also a disability rights campaigner and community leader. Her proud son Daniel kindly donated her archive to our collection in 2014.

Click here to read more about Stephanie's incredible life and career. 


Tour de Force: Barry Hoban

Barry Hoban is a former professional cyclist from Wakefield who rode during the late 1960s and early 1970s. 

He holds the record for the most Tour de Frances completed by a British rider – having finished 11 of the 12 he started between 1965 and 1978. 

He was also the first Briton to win two consecutive stages of the Tour, a feat not matched until 2008!


Square glass display case featuring photos and objects relating to Barry Hoban's career, including a pink road bike and pink, white and blue jersey
A display from 2014 showcasing Barry Hoban, featuring one of his bikes and jerseys

A Supporting Role: Sykes & Slazenger

As well as our sporting stars and top teams, Wakefield District has a very proud heritage of sports manufacturing.

In 1870 a saddler’s apprentice from Horbury founded William Sykes Ltd. Soon he was the chairman of a thriving international business. Sykes produced equipment for a huge variety of sports, from billiards to boxing, crown green bowling to croquet. 

Advertising poster for 'Choose a Sykes Model', with images of the EDB, the Blue Riband, the Ruby and the Alpha rackets, and the taglines 'Senior Service' and 'Simply Splendid - none better'
A vintage Sykes advert from the 1930s

Sykes eventually became part of the Dunlop Slazenger empire, pioneering ground breaking new products and technologies. For more than a century, Horbury was a centre of excellence and innovation in sports production, supplying top competitions like the FA Cup and Challenge Cup.

When Australian legend Don Bradman maintained a test cricket batting average of 99.9 over his career (1928 – 1948), he did so using cricket bats made in Horbury. The Don Bradman endorsed signature cricket bat became a very popular and long running brand of bat for Sykes, and continued after the company merged with Slazenger:

Old wooden cricket bat, engraved with 'Sykes, Don Bradman - Autograph' and Bradman's signature
A Don Bradman signature cricket bat


When England won the World Cup in 1966, they did so kicking a ball made here in Horbury. We've got one of the footballs made for the Final on display at Wakefield Museum:

Bright orange hand-stitched Slazenger Challenge 4-Star football
One of the Slazenger 4-Star Challenge footballs made for the 1966 World Cup

In 1988 German Tennis ace Steffi Graf became the first (and still only) player to win a Golden Grand Slam (she won each of the four Grand Slam tournaments and an Olympic Gold medal all in one year). 

She did so using a tennis racket designed and made in Horbury - The Dunlop 200G Max:

A purple tennis racket with green and brown details and the Dunlop logo
A Dunlop 200G Max racket, the type used by Steffi Graf to win her Golden Slam

So, yes - we're pretty proud of our sporting heritage!

Find out more:

 
Staff Pick - Wakefield Trinity and Me